Aesthetic theory of Theodor Adorno: the modern look

Authors

  • Greta Soloviyova Institute for Philosophy and Political Science of the Ministry of Education and Science of the Republic of Kazakhstan

Keywords:

Aesthitics, music, rhetoric, modern, consellation, parataxis, mimesis, shock, dissonance, conciliation

Abstract

In the article the modern perception of the Aesthetic theory of Theodore Adorno, a methodologist of the Frankfurt school is analyzed. The author shows that Adorno created a theory of modern art, orientating on the paradigm of the new music (Arnold Schonberg ), on the works of Franz Kafka and animals of Vasilii Kandinskii. Ideas of constellation and parataxis, modern perception of beauty and ugly reveal their actuality in the modern philosophic discourse and require the cute attention of researchers.

 

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Published

2011-08-08

Issue

Section

WESTERN PHILOSOPHY OF XXTH CENTURY

How to Cite

Aesthetic theory of Theodor Adorno: the modern look. (2011). History of Philosophy Yearbook Istoriko-Filosofskii Ezhegodnik, 25, 145–170. https://ife.iphras.ru/article/view/7192

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